![]() ![]() And that was only a portion of her career as a prolific designer in the Scandinavian modern movement. Oh, God, how I fought against those lotus leaves then!” – Grete Prytz KittelsenĮven though she never cared for the lotus, she was happy to see that vintage Cathrineholm pieces were still in use.Ĭollectors can take their pick between the solid and patterned enamelware that she created for Cathrineholm. “I still don’t like the pattern used most frequently on items produced in the mid-1960s, Lotus. When she was interviewed in the early 2000s for the book Grete Prytz Kittelsen: The Art of Enamel Design, she had this to say: ![]() Kittelsen wasn’t bit by the lotus fanatic bug. ![]() She designed the dish forms and colors, and Arne Clausen designed the iconic lotus leaf that the factory added to them. The primary artist behind Cathrineholm’s lotus enamelware was Grete Prytz Kittelsen. But you know who didn’t love them? One of the designers. Vintage kitty with stack of Cathrineholm lotus bowls in blue, lime and pink (photo credit: Courtney Mitchell / have loved these for decades. These colorful dishes came in a range of mod colors adorned in lotus leaves. “White as porcelain-harder than steel!” said one advertisement. Their most popular line hit the market in the 1960s: the mid-century modern lotus series. It started as an ironworks around 1827, before transitioning to the more modern enamelware in 1907 and eventually closing down around 1972.Īs an enamelware company, Cathrineholm produced a variety of dishes over the decades. Yep, there’s no “Cathrine Holm.”Ĭathrineholm was a factory based in Halden, Norway. The first thing you need to know: Cathrineholm was not a person. Note: This article contains affiliate links.
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